It is almost impossible to tell you how excited I was to find myself at Animal Farm on Monday. The actual Animal Farm, scene of the great revolution of the animals against Farmer Jones and the eventual betrayal of animalism by the pigs. I couldn’t see any pigs, but there was a horse that looked how I’ve always imagined Boxer. Strong, proud, Stakhanovite – all the things that George Orwell considered the proletariat to be.

My first copy of Animal Farm, bought from a church jumble sale in the late 1970s, is a red, hard-backed Longmans edition; with an introduction that states the setting for the book is ‘unmistakeably Hertfordshire’. Except that it’s not. It’s unmistakably East Sussex, and specifically, it’s Chalk Farm at Willingdon, near Eastbourne. A clue might be that Willingdon is mentioned ten times in the text. The event that sparks the revolution is Farmer Jones getting so drunk at the Red Lion in Willingdon that he forgets to feed the animals. After the revolution, he spends his time in the tap room of the same pub. The Red Lion is still there. The knackers’ van that takes Boxer off to be turned into glue and dog meat comes from Willingdon, and so does the solicitor who mediates between the pigs and humans on neighbouring farms.

There’s a hotel there now, with an Orwell lounge, and a map showing the route Orwell would have taken as a ten-year-old walking between his school in Eastbourne and Chalk Farm on ‘nature rambles.’ There’s a working farm, a plant nursery which employs adults with learning difficulties, and some guinea pigs (firmly walking on four legs, not two). According to his essay on his unhappy time at St Cyprian’s Eastbourne, written just a couple of years before he died, he never returned to Sussex, except once briefly, and never to his old school, which he hated. Which suggests that the mental images of Manor Farm in the book, which becomes Animal Farm, and at the end Manor Farm again, were all lodged when Orwell was about ten years old, and came alive three decades years later for the novel. He even remembered the name of the local pub.

I was pleased to see that the Chalk Farm Hotel had made the connection with Orwell, and marked it in a suitable fashion. It isn’t an Animal Farm theme-park, but neither has the link to one of the most important books of the twentieth century been ignored. You can stay in rooms named after Muriel the goat, Molly the vain, silly horse, Benjamin the donkey and other characters, each representing figures from the Russian Revolution. If ever the final lines about looking from man to pig, and pig to man, and being unable to tell them apart had resonance, it is when we look at the members of the current ‘coalition’ government.

England is covered in historical sites with links to the Labour movement. We make a terrible job of marking them. Sites with connections to monarchs, battles, or religious martyrdom appear in guide books. Yet with some honourable exceptions (Toad Lane in Rochdale being one; Tolpuddle in Dorset being another), Labour history is largely ignored. Why no monuments to the Chartist settlements in Heronsgate, or at the Wade Arms from where the Great Dock Strike of 1889 was directed? Why no statues of Colonel Rainsborough in Putney? The site of the Diggers’ commune on St George’s Hill, Surrey is covered in millionaires’ villas, swimming pools, and a golf club. No common treasury just gated driveways. Even the plaque commemorating Friedrich Engels’ funeral in Eastbourne was torn down by reactionaries, and found a final resting place at the Pump House People’s Museum on the banks of the Irwell. Jon Cruddas made reference to England’s radical and socialist history in a good speech a few weeks ago; everywhere it is being eroded and forgotten.

It is a task that should be taken up by local Labour parties and Labour councillors, perhaps linked to citizenship classes (before the Tories abolish them). Orwell knew all about it – who controls the past controls the future. If we let ours degrade into half-remembered folklore, or disappear altogether, we allow our enemies to win.

Photo: D.so 2010