Conrad and Lady Black: Dancing on the Edge
Tom Bower
Harper Press, 436 pp, £20.00

In March of next year, Conrad Black will appear before a Chicago court charged with defrauding his own company, Hollinger, of hundreds of millions of dollars. Tom Bower charts the Byzantine structure of Black’s business empire and the payments between them that amounted to the ‘corporate kleptocracy’ of which Black is accused.

Unsurprisingly, the former Telegraph owner and his wife, Barbara Amiel, come off pretty badly in this account. Black is the pompous, solipsistic, avaricious Canadian businessman who ‘bought and sold (but never effectively managed) several businesses, from mining and tractors to broadcasting companies and newspapers’. His unlikely union with Amiel sprang from their shared right-wing chauvinism and keen ‘social mountaneering’ of Canadian, New York and London high society.

The author marshals the facts expertly, but his pseudo-psychological analysis of the inner workings of the couple’s minds is needless and unconvincing. Typical is the assertion that Amiel’s outward toughness ‘was a masquerade … to gain protection from rejection’.

Bower is also prone to smug piety. Black, it is claimed, never had time for ‘the anonymous, simple honest masses, born underprivileged and without special talents’. Such condescension is somewhat grating given the photo of the author hob-nobbing with Black, Max Hastings and Lord Rothemere at a party in 2002. Nevertheless, this is a solid account of a cheering tale: the fall from grace of a couple with deeply unpleasant views and an obsession with wealth and status.